Christian Tetzlaff

Aktuelle Konzerttermine

Fr. 24Jan.2020

Washington DC

The John F. Kennedy Center
Washington, United States

Antonin Dvořák: Konzert für Violine und Orchester a-Moll op. 53

Sa. 25Jan.2020

Washington DC

The John F. Kennedy Center
Washington, United States

Antonin Dvořák: Konzert für Violine und Orchester a-Moll op. 53

Do. 30Jan.2020

London

Barbican Centre
London, United Kingdom

Wolfgang Amadeus Mozart: Konzert für Violine und Orchester Nr. 3 G-Dur KV 216

Sa. 01Feb.2020

Amsterdam

Het Concertgebouw Amsterdam
Amsterdam, Netherlands

Ludwig van Beethoven: Konzert für Violine und Orchester D-Dur op. 61
Richard Strauss: Sinfonia domestica op. 53 (1903)

Discografie

Presse

Beethoven and Sibelius Violin Concertos

theclassicalreview.com by Leighton Jones, September 21, 2019 – Having recorded the concertos of Beethoven and Sibelius previously, now at the peak of his career, violinist Christian Tetzlaff returns to these two pinnacles of the repertoire. In this pairing for Ondine, Tetzlaff demonstrates how his artistry as a musician, poet and communicative artist have matured into something highly distinguished. Tetzlaff in these new recordings is paired with the Deutsches Symphonie-Orchester Berlin conducted by Robin Ticciati, who have bonded naturally to produce interpretations elevating these works to another level. Together they curate the most interesting path into the extraordinary emotions beneath the surface of the notes. Tetzlaff’s earlier, well-respected rendition of Beethoven’s Violin Concerto with David Zinman and the Zürich Tonhalle Orchestra has a more vivacious feeling. Now a more muted opening movement evolves and grows, fully realizing the allegro ma non troppo indication. The exposition is paced and measured, the solo violin enters with a budding sound which grows organically out of the texture to bloom like a crimson rose. Tetzlaff’s tone has matured into the most exquisite sound, rich and luscious across the complete range. The cadenza, from the piano arrangement of the work, unfolds seamlessly into the coda as it maintains a dignified restraint. The slow movement has a hushed intensity, magnified by hugely impressive dynamics from both Tetzlaff and the Deutsches Symphonie-Orchester, bringing a sense of intimacy. Throughout the quietest pianissimos, Tetzlaff’s tone is unwavering. Launching effortlessly into the final movement there is a measured momentum which becomes captivating. Only on reaching the end of the concerto […]