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CHRISTIAN TETZLAFF
Boston Globe by Jeremy Eichler,
[...] Tetzlaff offered a reading of the Brahms concerto that was at once immensely virtuosic and deeply personal. From his very first entrance, this was viscerally explosive violin playing, but always with a sense of purpose and richness of inner life. [..] But I think what ultimately moves people is the emotional openness and deep sincerity of Tetzlaff’s playing. [...] Tetzlaff offered a reading of the Brahms Concerto that was at once immensely virtuasic and deeply personal. From his very first entrance, this was viscerally explosive violin playing, but always with a sense of purpose and a richness of inner life. [...] But I think what ultimately moves people is the emotional openness and deep sincerity of Tetzlaff's playing. [...]
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